var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Transferring Berber-Kabyle Cultural Units from French into Arabic'; document.write(linkifyHtml(str, options)); ]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'La Problématique du Transfert des Culturèmes Berbères-Kabyles- Ecrits en Français à L’arabe'; document.write(linkifyHtml(str, options)); ]]> Amazigh culture]]> Cultureme]]> Literary translation]]> Social cultural theories]]> Literary translation strategies and techniques]]> Culturème]]> Culture amazighe]]> Stratégies et techniques de traduction littéraire]]> Traduction littéraire]]> Théories socioculturelles]]> How can Berber cultural values be translated by analysing the translation of different types of culturemes in the work of Mouloud Feraoun's ‘La Terre et le Sang’, written in French and translated into Arabic? The objective of this paper is to seek ways to resolve the treatment of cultural elements in the translation of French-speaking Algerian literature texts into Arabic. To achieve this overall objective, the following specific objectives were raised: first, to present an overview of the translation approaches that focus on cultural transfer and the different theoretical proposals concerning the relationship between language and culture in order to establish the theoretical framework for this study. Secondly, develop a model for the analysis of cultural elements in translation. Finally, describe and examine the cultural fields that generate the most significant cultural problems in French-Arabic translation.]]> Comment traduire les valeurs culturelles berbères en s’appuyant sur l’analyse du transfert de différents types de culturèmes dans l’œuvre de La Terre et le Sang de Mouloud Feraoun, écrit en français et traduit à l’arabe ? L'objectif fixé est de chercher comment résoudre le traitement de la traduction des éléments culturels de textes de littérature algérienne d’expression française en arabe. Pour atteindre cet objectif global, on a soulevé les objectifs spécifiques suivants : en premier lieu, présenter un état des approches traductologiques qui portent leur intérêt sur le transfert culturel et sur les différentes propositions théoriques concernant la relation entre la langue et la culture afin d'établir le cadre théorique de cette étude. En second, élaborer un modèle pour l'analyse des éléments culturels dans la traduction. En dernier lieu, décrire et examiner les champs culturels qui engendrent des problèmes d’ordre culturel les plus importants dans la traduction français-arabe.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Karima, Aït Meziane'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 18 No 2 (2019): Traduction et Langues Volume : 18 Numéro : 02 / Décembre 2019; 114-127]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v18i2]]> University of Oran 2 Mohamed Ben Ahmed]]> 2019-12-31]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/426/339]]> application/pdf]]> fra]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/426]]> 10.52919/translang.v18i2.426]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Coherence in Machine Translation Output'; document.write(linkifyHtml(str, options)); ]]> Coherence]]> (Lexical) Cohesion]]> Discourse Connectives]]> Machine Translation]]> Referencing Anaphora]]> Anaphores]]> Cohérence]]> Cohésion (Lexicale)]]> Connecteurs de Discours]]> raduction Automatique]]> Coherence is a cognitive process. It plays a key role in argumentation and thematic progression. To be characterised by appropriate coherence relations and structured in a logical manner, coherent discourse/text should have a context and a focus. However, it receives little attention in Machine translation systems that considers the sentence the largest translation unit to deal with, the fact that excludes the context that helps in interpreting the meaning (either by human or automatic translator). In addition to that, Current MT systems suffer from a lack of linguistic information at various stages (modelling, decoding, pruning) causing the lack of coherence in the output. The present research aims at, first, capturing the different aspects of coherence, and second, introducing this notion in texts generated by machine translation based on sentence-by-sentence basis, in order to see and discuss the several phenomena that can lead to incoherent document translations with different language pairs. ]]> La cohérence est un processus cognitif. Elle joue un rôle clé dans l'argumentation et la progression thématique. Le discours/texte cohérent doit avoir un contexte et un objectif caractérisés par des relations de cohérence appropriées et structurés de manière logique. Cependant, elle a reçu peu d’attention dans la traduction automatique (MT) car la plupart des systèmes traduisent le texte phrase par phrase, indépendamment du contexte. De plus, les approches actuelles de la traduction automatique souffrent d'un manque d'informations linguistiques á différentes étapes (modélisation, décodage, transformation), ce qui entraîne à des textes incohérents. La présente étude s'intéresse d'abord à la description des différents aspects de la cohérence, et ensuite à l'introduction de cette notion dans les textes générés par la traduction automatique pour voir et discuter les différents phénomènes pouvant conduire à des traductions incohérentes avec des différentes paires de langues.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Abadou, Fadila'; document.write(linkifyHtml(str, options)); ]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Khadich, Saleh'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 18 No 2 (2019): Traduction et Langues Volume : 18 Numéro : 02 / Décembre 2019; 138-153]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v18i2]]> University of Oran 2 Mohamed Ben Ahmed]]> 2019-12-31]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/425/340]]> application/pdf]]> eng]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/425]]> 10.52919/translang.v18i2.425]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Voice Quality: A Strategy for Gender Stylisation'; document.write(linkifyHtml(str, options)); ]]> Gender]]> identity construction]]> gendered identity]]> authority]]> submissiveness.]]> Genre]]> construction identitaire]]> identité de genre]]> autorité]]> soumission.]]> This paper is situated in the body of linguistic forms and identity construction which investigates how women and men in Mostaganem Spoken Arabic (MTG henceforth) exploit the multifunctionality of phonetic forms, namely voice styles in their interactive process of negotiating different stances and identities and how these stances and identities are perceived by others. I have tried to analyse the voice styles of a number of women and men in positions of authority and submissiveness with a sole focus on the way that their voice styles are negotiated at their level without considering the way, that particular styles are determined by outside factors as stereotypes and attitudes. These two experiments purposefully aim to look at the way and manner authoritative and submissive identities are enacted or performed in specific contexts.The results showed that both women and men have respectively exhibited voice styles that are seemingly masculine or feminine. The data obtained from the experiment makes it possible to say that women and men who have temporarily some interactional power in a specific situation display their authority through the use of the so-called masculine voice styles. Similarly, they use what is stereotypically more feminine voice styles to display care, and sympathy generally described as co-operative strategies or what has been termed 'rapport talk'.]]> Cet article se situe dans le domaine des formes linguistiques et de la construction identitaire qui étudie comment les femmes et les hommes dans le parler de Mostaganem(MTG) exploitent la multifonctionnalité des formes phonétiques, à savoir les styles de voix dans leur processus interactif de négociation de différentes postures et identités et comment ces postures et identités sont perçues par les autres. J'ai essayé d'analyser les styles de voix d'un certain nombre de femmes et d'hommes en position d'autorité et de soumission en me concentrant uniquement sur la manière dont leurs styles de voix sont négociés à leur niveau sans considérer la manière dont des styles particuliers sont déterminés par des facteurs extérieurs que les stéréotypes et les attitudes. Ces deux expériences visent délibérément à examiner la manière dont les identités autoritaires et soumises sont mises en oeuvre ou exécutées dans des contextes spécifiques.Les résultats ont montré que les femmes et les hommes ont respectivement présenté des styles de voix apparemment masculins ou féminins. Les données obtenues à partir de l'expérience permettent de dire que les femmes et les hommes qui ont temporairement un certain pouvoir interactionnel dans une situation spécifique marquent leur autorité à travers l'utilisation des styles de voix dits masculins. De même, ils utilisent des styles de voix stéréotypés plus féminins pour attirer de l'attention et de la sympathie généralement décrites comme des stratégies coopératives ou ce que l'on a appelé le « discours de rapport ».]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Abdelhay , Bakhta'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 8 No 1 (2009): Traduction et Langues Volume 8: Numéro: 1/ Décembre 2009; 7-28]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v8i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2009-12-31]]> Copyright (c) 2009 TRANSLANG]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/423/335]]> application/pdf]]> eng]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/423]]> 10.52919/translang.v8i1.423]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'إشكالية ترجمة النص القانوني: قانون الأسرة الجزائري انموذجا'; document.write(linkifyHtml(str, options)); ]]> Translation of the legal text]]> Algerian family law]]> terms of divorce]]> Khol’à and Tatliq.]]> ترجمة النص القانون،]]> قانون الأسرة الجزائري،]]> مصطلحات طلاق وتطليق وخلع.]]> إن تحديد المصطلح القانوني بدقة وترجمته إل لغة أخرى مرهون بفهم موضعه ومقابله في النظام القانونيالذي ينتمي إليه ذلك المصطلح، وعليه، فمترجم النصوص لقانونية ملزم بإضافة مهارة المقارنة بين النظامينالقانونيين إلى مهاراته اللغوية والترجمية. ويتناول هذا المقال إشكالية صعوبة ترجمة النصوص القانونية بصفة عامةوقانون الأسرة الجزائرية بصفة خاصة، أين تطرح مجموعة من الأسئلة نفسها: من ترجم القانون الجزائري إلى اللغةالفرنسية؟ وإلى من يجب إسناد ترجمة النصوص القانونية؟ هل إلى خريجي أقسم الترجمة أم إلى مشرعين مزدوجياللغة؟ كما خصصنا الشطر الثاني من هذا المقال إلى مسالة المتلقي، أين تتبادر إلى الذهن الأسئلة التلية: إلى منيوجه النص الفرنسي؟ هل هو موجه إلى قارئ جزائري ذو ثقافة عربية إسلامية ناطق باللغة الفرنسية؟ أم أنهموجه إلى قارئ فرنسي ذو ثقافة غربية، مسيحية في معظم الأحيان؟ وفي الأخير توصل الباحث إلى بعضالنتائج، أهمها: ضرورة تكوين مترجمين متخصصين في الترجمة القانونية في مرحلة ما بعد التدرج. وجوب عدمتخوف المترجم من الاستعمال غير المفرط لأسلوب الاقتراض عندما يغيب لا مكافئ في لغة الهدف.]]> The Issue of Legal Text Translation: Algerian family law as a model
Defining the legal term accurately and translating it into another language depends on understanding its position and its counterpart in the legal system to which that term belongs. Accordingly, the translator of legal texts is obliged to add the skill of comparison between the two legal systems to his linguistic and translation skills. This article addresses the problem of the difficulty of translating legal texts in general and Algerian family law in particular. Where does a set of the same questions arise: Who translated Algerian law into French? To whom should the translation of legal texts be entrusted? Is it to graduates of the oath of translation, or to bilingual legislators? We also devoted the second part of this article to the question of the recipient, where do the following questions come to mind: To whom is the French text directed? Is it directed at an Algerian reader of Arabic-Islamic culture who speaks French? Or is it directed at a French reader of Western culture, mostly Christian? Finally, the researcher reached some results, the most important of which are: The necessity of training translators specialized in legal translation in the post-graduation stage. The translator should not be afraid of the excessive use of the borrowing method when there is no equivalent in the target language.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'توهامي, وسام'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 7 No 1 (2008): Traduction et Langues Volume 7: Numéro: 1/Décembre 2008; 132-137]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v7i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2008-12-31]]> Copyright (c) 2008 TRANSLANG]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/422/334]]> application/pdf]]> ara]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/422]]> 10.52919/translang.v7i1.422]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'إشكالية الترجمة التقنية: أدلة الاستعمال نموذجا'; document.write(linkifyHtml(str, options)); ]]> Technical translation]]> technical translator]]> degree of language proficiency of the recipient]]> machine translation.]]> الترجمة التقنية]]> المترجم التقني]]> درجة ال كفاءة اللغوية للمتلقي]]> الترجمة الالية.]]> أضحت الترجمة التقنية والعلمية الواسطة الاولى للتفاعل الحضاري ومسايره هذا التطور العلمي السريع.وليست الترجمة التقنية نقدية في حد ذاتها، وإنما هي تتناول نصوصا تتسم غالبا بالاستعمال لوضع المصطلحاتبالإضافة إلى التراكيب المعقدة وغياب اللون الانفعالي للمفردات، فهي ترجمة قوامها المصطلح وأداتها لغةمتخصصة تصير إلى مقام مقاربه مجالات متعددة، إن ترجمة النصوص التقنية تتطلب اتباع طريقة خاصة بسببمحتواها التقني، بسبب اللغة المستخدمة التي كثيرا ما تختلف عن اللغة الشائعة، ويستعمل الاخصائيون لغةالاختصاص لتسهيل عملية التواصل والتفاهم، ونظرا للإشكاليات العديدة التي تطرحها الترجمة النقدية إلى اللغةالعربية فقد اتكئنا في دراستنا التطبيقية على أدلة الاستعمال ل كونها اصبحت عنصرا مهما في حياتنا اليومية.]]> The Issue of Technical Translation: Manuals for use as a model
Technical and scientific translation has become the first means of civilized interaction and keeping pace with this rapid scientific development. Technical translation is not critical in itself. Rather, it deals with texts that are often used to set terminology, in addition to complex structures and the absence of an emotional color for vocabulary. Technical, because of the language used, which often differs from the common language, and specialists use the language of specialization to facilitate the process of communication and understanding. Given the many problems posed by critical translation into Arabic, in our study we have relied on manuals for use because they have become an important element in our daily life.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'بلقاسمي , حفيظة'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 7 No 1 (2008): Traduction et Langues Volume 7: Numéro: 1/Décembre 2008; 123-131]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v7i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2008-12-31]]> Copyright (c) 2008 TRANSLANG]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/421/333]]> application/pdf]]> ara]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/421]]> 10.52919/translang.v7i1.421]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'ظاهرة الحذف من منظور الدراسات الأسلوبية'; document.write(linkifyHtml(str, options)); ]]> Omission]]> stylistic silence]]> verbal behaviors]]> semantic units]]> communicative process.]]> الحذف]]> الصمت الأسلوبية]]> السلوكات الكلامية]]> الوحدات الدلالية،]]> العملية التواصلية.]]> لقد اعتنى الدارسون العرب القدامى بالعلاقة القائمة أساسا بين اللغة والفكر، وتفسير الظاهرة اللغويةتفسيرا عميقا معتمدين بالدرجة الاولى على البيئة التي نشأت فيها اللغة وطبيعتها الاجتماعية من خلال دراسةالروابط بين اجزاء التراكيب التي تتجسد فيها العادات اللغوية، والسلوكات الكلامية المتصلة بمناحي النطق والدلالة.كما اشتغل النحاة على الجملة العربية بوصفها تركيبا لفظيا يجري به النطق في سلسلة كلامية تتتابع الفاظها لتفضيالى معنى يحسن السكوت عليه لقد اعطى عبد القاهر الجرجاني أهمية كبيرة لثنائيه الذكر والحذف، وقارن بينطرفيها في كثرة التأثير والافادة والفصاحة وقلته وفي قرب المعنى وبعده، ان العملية التواصلية لا تقوم على الجملةالمظهرة كل الوحدات الدلالية الاساسية دائما وانما تحدث ايضا بنقص هذه الوحدات فيكون الصمت وسيلةمن وسائل التواصل. ومن ذلك تتجلى لنا تلك الجدلية القائمة بين الكلام والصمت في العملية التواصلية ليصبحبالإمكان تحقيق الوجه البلاغي بين المتكلم والمتلقي. وفي ضوء هذا الفهم خلص الباحث الى ان الحذف في البنية
اللسانية ليس فعلا مفروضا على القصيدة من الخارج وانما هو عمل واع وسمة من سمات القصيدة الحديثة ومظهرمن المظاهر الابداعية التي تعمل على استثمار الطاقات التعبيرية الهائلة التي تزخر بها اللغة العربية.]]> Stylistic Perspectives on the Phenomenon of omission
The ancient Arab scholars have taken care of the relationship that mainly exists between language and thought, and the interpretation of the linguistic phenomenon in a deep way, relying primarily on the environment in which the language arose and its social nature through the study of the links between the parts of the structures in which language habits are embodied, and the verbal behaviors related to aspects of pronunciation and semantics. The grammarians also worked on the Arabic sentence as a verbal structure in which the pronunciation is carried out in a series of words whose words follow successively to lead to a meaning that improves silence. Communicativeness is not always based on the sentence expressing all the basic semantic units, but it also occurs with the lack of these units, so silence is a means of communication. From this, the dialectic between speech and silence is evident in the communicative process, so that it becomes possible to achieve the rhetorical aspect between the speaker and the recipient. In the light of this understanding, the researcher concluded that the deletion in the linguistic structure is not actually imposed on the poem from the outside, but rather it is a conscious action and a feature of the modern poem and an aspect of the creative aspects that work to exploit the tremendous expressive energies that abound in the Arabic language.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'ملياني , محمد'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 7 No 1 (2008): Traduction et Langues Volume 7: Numéro: 1/Décembre 2008; 104-122]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v7i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2008-12-31]]> Copyright (c) 2008 TRANSLANG]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/420/709]]> application/pdf]]> ara]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/420]]> 10.52919/translang.v7i1.420]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'المترجم بين الامانة والخيانة'; document.write(linkifyHtml(str, options)); ]]> translation process]]> fidelity]]> betrayal]]> translator]]> translation of poetry.]]> العملية الترجمية]]> الامانة]]> الخيانة]]> المترجم]]> ترجمة الشعر.]]> أدت الترجمة دورا بالغ الأهمية في المحافظة على التراث العالمي أدبيا كان أو علميا ويرجع الفضل فيذلك إلى الجهود التي بذلها المترجمون باختلاف ثقافاتهم ولغاتهم رغم ما يقال عنهم من عدم أمانتهم في نقلالنصوص، ل كن يبدو من الضروري الحديث عن الأمانة أو عدمها بتسليط الضوء على دلالاتها المختلفة. وهذا مانحاول التطرق إليه من خلال هذا المقال الذي يهدف الى إثارة إشكالية الأمانة والخيانة في ميدان الترجمة عموماغير أن هذه الإشكالية تطرح بشدة لدى المترجم الأدبي أو بالأحرى مترجم الشعر.]]> The Interpreter between Fidelity and betrayal
Translation has played a very important role in preserving the world heritage, whether literary or scientific, thanks to the efforts made by translators in different cultures and languages, despite what is said about their lack of honesty in transmitting texts, but it seems necessary to talk about honesty or lack of it by highlighting on its various connotations. This is what we are trying to address through this article, which aims to raise the problem of honesty and betrayal in the field of translation in general, but this problem is strongly raised by the literary translator, or rather the translator of poetry.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'بن شريف, هشام'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 7 No 1 (2008): Traduction et Langues Volume 7: Numéro: 1/Décembre 2008; 98-103]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v7i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2008-12-31]]> Copyright (c) 2008 TRANSLANG]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/419/332]]> application/pdf]]> ara]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/419]]> 10.52919/translang.v7i1.419]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Past and Present as Dialogic Narratives in Postmodernist Novels: Jasper Fforde’s The Eyre Affair as an Intertextual to Charlotte Brontë’s Jane Eyre'; document.write(linkifyHtml(str, options)); ]]> Charlotte Brontë]]> intertextuality]]> Jasper Fforde]]> postmodernism]]> the Eyre Affair]]> the Victorians]]> Charlotte Brontë]]> Intertextualité]]> Jasper Fforde]]> L’affaire Eyre]]> Les Victoriens]]> postmodernisme]]> This article intends to delve into the intertextual use of a Victorian novel in The Eyre Affair (2001) by the British writer Jasper Fforde. In his intertextual novel, which features as a sequel to Charlotte Bronte’s Jane Eyre (1847), Fforde shows that art is dependent on art and may integrate allusions to prior works. Since the research interest in the existing responses to Victorian narratives is considerably new, my paper aims to give a comprehensive reflection on one of these responses. It contributes to explore the reasons why the Victorian classics still fascinate postmodernist writers, while observing the changes these latter made to please the twenty first century reader. Its main focus is to determine the intertextual dialogue between the two novels focusing on important critical aspects in Jane Eyre such as point of view, the controversial ending, and the migration of characters, which become an inspiration for Fforde to bring Bronte’s tale to life by carrying the idea of intertextuality in The Eyre Affair.]]> Cet article a pour finalité d'explorer l'utilisation intertextuelle d'un roman dans The Eyre Affair (2001) de l'écrivain britannique Jasper Fforde. Dans son roman intertextuel, qui se présente comme une continuation de Jane Eyre, Fforde montre que l'art est tributaire de l'art et peut intégrer des insinuations à des travaux antérieurs. Étant donné que l’intérêt de recherche pour les réponses existantes aux récits victoriens est considérablement nouveau, mon article propose de donner une réflexion perceptible sur l’une de ces réponses. Il contribue à examiner les raisons pour lesquelles les classiques victoriens continuent à fasciner les écrivains postmodernistes, tout en s’attardant sur les modifications que ces derniers ont apportées pour plaire au lecteur du XXIe siècle. Son objectif principal est de déterminer le dialogue intertextuel entre les deux romans en se concentrant sur des aspects critiques importants de Jane Eyre, tels que le point de vue, la fin controversée, et la migration des personnages, devenus une source d'inspiration pour Fforde. Ainsi, le récit de Brontë sera mis en avant à travers l’idée d'intertextualité dans The Eyre Affair.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Otmani, Ilhem'; document.write(linkifyHtml(str, options)); ]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Bouregbi, Salah'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 19 No 1 (2020): Traduction et Langues Volume : 19 Numéro : 01 / Août 2020; 116-129]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v19i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2020-08-31]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/418/330]]> application/pdf]]> eng]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/418]]> 10.52919/translang.v19i1.418]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Développement d’un Questionnaire pour Étudier les Représentations des Enseignants de Langue Seconde sur la Rétroaction Corrective à l’Oral'; document.write(linkifyHtml(str, options)); ]]> Didactics of FFL]]> audiovisual platform]]> encyclopedic competence]]> television forms]]> fiction- documentary]]> Didactique du FLE]]> plateforme audiovisuelle]]> ompétence encyclopédique]]> formes télévisuelles]]> docufiction]]> Developing a Questionnaire to Investigate Second-Language Teachers’ Beliefs about Oral Corrective Feedback
The FL teaching / learning requires the exploration of new didactic tracks except those already in place. In our case, and in order to increase the possibilities of improving communication skills in French as a foreign language, it is a question of resorting to the television platform. Methodologically, and nothing but the level of the oral comprehension, for example, the authentic speeches in French are often characterized by such a complexity that even the linguistic competence, on its own, cannot account for all their significant scope. The communicational scope of certain cultural-heavy discourses, as the example we propose in this modest article, requires on the part of the teacher a new refocus on the encyclopedic competence, as a subsidiary form of cultural competence, but how decisive to decipher the messages which shape exolingual communication in French. To do this, the television tool embodied by the fiction- documentary proves to us to be very interesting, since, by its contribution in audiovisual information, it will facilitate access to some hidden forms (but which are both quite obvious and implicit for the native speaker) of the meaning inherent to any authentic production in contemporary French.]]> L’enseignement/apprentissage d’une langue étrangère exige désormais que l’on explore de nouvelles pistes didactiques hormis celles déjà mises en place. Dans notre cas, et afin d’accroître les possibilités d’améliorer la compétence communicationnelle en français, il est question de recourir à la plateforme télévisuelle. Sur le plan méthodologique, et rien qu’au niveau de la compréhension orale, par exemple, les discours authentiques en français sont souvent caractérisés par une telle complexité que même la compétence linguistique, à elle seule, ne peut rendre compte de toute leur portée significative. La portée communicationnelle de certains discours à forte charge culturelle, à l’image de l’exemple que nous proposons dans ce modeste article, exige de la part de l’enseignant une nouvelle recentration sur la compétence encyclopédique, en tant que forme subsidiaire à la compétence culturelle, mais combien décisive pour décrypter les messages qui façonnent la communication exolingue en français. Pour ce faire, l’outil télévisuel incarné par la docufiction s’avère à nos yeux très intéressant, puisque, par son apport en informations audiovisuelles, il va faciliter l’accès à certaines formes cachées (mais qui sont tout à fait évidentes et implicites à la fois pour le locuteur natif) de la signification inhérente à toute production authentique en français contemporain.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Taddarth, Assma'; document.write(linkifyHtml(str, options)); ]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'Melki, Hanène'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 19 No 1 (2020): Traduction et Langues Volume : 19 Numéro : 01 / Août 2020; 8-30]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v19i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2020-08-31]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/417/328]]> application/pdf]]> fra]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/417]]> 10.52919/translang.v19i1.417]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'إشكالية ترجمة النصوص الأدبية من اللغة الأمازيغية إلى اللغة العربية'; document.write(linkifyHtml(str, options)); ]]> Culture]]> difficulties of translating poetry]]> Translation strategies]]> reader]]> translator]]> cultural impact]]> الثقافة]]> صعوبات الترجمة الشعرية]]> استراتيجيات الترجمة]]> القارئ]]> المترجم]]> الوقع الثقافي]]> يتناول هذا المقال أهمية الزّنة الثقافيّة في المرسلة الشعرية على وجه التحديد والدور الذي تؤديه الثقافة في عملية الترجمة أي على صعيد نقل الوقع الثقافي عينه للقارئ الهدف. لهذه الغاية ينقسم البحث إلى قسمين الأوّل تنظيري والثاني تطبيقي. أمّا القسم التنظيري فينطلق من تعريف الثقافة أبرز عناصرها ّ ومن ثم تعريف الترجمة بهدف استبيان العلاقة القائمة بين هذا لثنائي. ّ يتطرق البحث بعدها إلى تسليط الضوء على الدور الذي تؤديه العناصر الثقافية آنفة الذكر في تسهيل أو تصعيب عمل المترجم عند نقل الوقع الثقافي للمرسلة الشعرية، كما يقترح الباحث عيّنة من الاستراتيجيات التي وضعها أهل الاختصاص بهدف إرشاد المترجم ومساعدته خلال عمليّة التّرجمة.أمّا الشق التطبيقي فيستهلّه الباحث بدراسة للنسخة المترجمة من قصيدة ّ ولا أكثر " لا أقل " للشاعر الفلسطيني محمود درويش واستنتاج المنهج الذياتّبعه مترجمها الشاعر والمترجم الفلسطيني الأصل فادي جودة وبالتالي تحديد موقفه هل كان من أهل المصدر أم من أهل الهدف.]]> Problematic issues in Translating Literary Texts from Amazigh to Arabic
This paper consists of an attempt to highlight the importance of cultural impact in poetry, in addition to the significant part it takes during the translation process, more precisely its equivalent delivery to the target reader. To attain the sought purpose, this research paper was separated into two sections: one being theoretical and the other practical. The theoretical section starts off by defining culture and its most significant elements, then moves on to defining translation in hopes of revealing the link between this pair. This paper proceeds to shed some light on the role that these previously stated cultural elements play in facilitating or impeding the translator’s task of transferring the poem’s cultural impact. Moreover, the author of this paper then proposes a sample of many strategies suggested by professionals to further guide the translator and assist him in his task. As for the practical section, it consists of a study regarding Palestinian poet Mahmoud Darwish’s “No More and No Less” and its translation procedures and strategies used in translated English version done by Fady Joudah, translator and poet of Palestinian origins; thus, allowing the translator’s stance to be revealed: whether he was source-oriented or sought the target reader.]]> var options = { attributes: { rel: 'nofollow', title: 'click to open', }, className: '', format: { url: function (value) { return value } }, ignoreTags: ['a'], validate: { url: function (value) { return value; } } }; var str = 'chettouh, Zhour'; document.write(linkifyHtml(str, options)); ]]> Traduction et Langues; Vol 19 No 1 (2020): Traduction et Langues Volume : 19 Numéro : 01 / Août 2020; 163-173]]> 2600-6235]]> 1112-3974]]> 10.52919/translang.v19i1]]> University of Oran 2 Mohamed Ben Ahmed]]> 2020-08-31]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/415/329]]> application/pdf]]> ara]]> info:eu-repo/semantics/article]]> info:eu-repo/semantics/publishedVersion]]> Peer-reviewed Article]]> https://revue.univ-oran2.dz/revuetranslang/index.php/translang/article/view/415]]> 10.52919/translang.v19i1.415]]>